Forget that guff about Rage against the Machine vs. X Factor - truly, a herd of independent minds. What’s more worrying is the large number of basic irrationalities contained in popular songs.
I was at the gym the other day - this finely chiselled physique doesn’t come naturally - and Alexandra Burke came on the TV, singing “The bad boys are always catching my eye.”
Well of course they are. Bad boys hang around on street corners and in malls where you can see them. Good boys on the other hand are working or studying and so are in offices and libraries where they’ll not catch your eye.
This is a sampling bias. It’s an elementary cognitive error.
But this is just the tip of the iceberg.
By this I don’t just mean over-confidence. Yes, this is ubiquitous, but in many cases it serves a rational purpose. When Tinchy Stryder sings “I will never leave you” to Amelle we all know the sub-text.
No, what I mean are more egregious errors. Take for example the Black Eyed Peas: “I gotta feeling that tonight’s gonna be a good good night.“
This, surely, is the base rate fallacy. Past experience shows us that tonight is rarely gonna be a good night; the best we can expect is to avoid too bad a fight and cop off with a girl who weighs less than us. But Will.i.am is ignoring this prior probability, and over-weighting his subjective feeling. This is a basic deviation from Bayesianism.
Let’s move to Cheryl Cole:
Her protege Joe McElderry presents a more awkward case:
It could be that singing about the climb is a rational precommitment strategy; if you publicly say you’ll keep on moving, you’re increasing the costs of subsequently stopping moving by exposing yourself to more embarrassment if you do. But it’s not clear that Joe is doing this.
Now, I don’t want to claim that all of this year’s most popular songs contain howling irrationalities. The mighty Lady Gaga passes muster. But could it be that such irrationalities - as distinct from plain nonsense - are more common now than years ago? If so, isn’t this yet more evidence of the decline of civilization? And what hope is there of people becoming properly educated if they are exposed to such cognitive errors? Will no-one think of the children?
I was at the gym the other day - this finely chiselled physique doesn’t come naturally - and Alexandra Burke came on the TV, singing “The bad boys are always catching my eye.”
Well of course they are. Bad boys hang around on street corners and in malls where you can see them. Good boys on the other hand are working or studying and so are in offices and libraries where they’ll not catch your eye.
This is a sampling bias. It’s an elementary cognitive error.
But this is just the tip of the iceberg.
By this I don’t just mean over-confidence. Yes, this is ubiquitous, but in many cases it serves a rational purpose. When Tinchy Stryder sings “I will never leave you” to Amelle we all know the sub-text.
No, what I mean are more egregious errors. Take for example the Black Eyed Peas: “I gotta feeling that tonight’s gonna be a good good night.“
This, surely, is the base rate fallacy. Past experience shows us that tonight is rarely gonna be a good night; the best we can expect is to avoid too bad a fight and cop off with a girl who weighs less than us. But Will.i.am is ignoring this prior probability, and over-weighting his subjective feeling. This is a basic deviation from Bayesianism.
Let’s move to Cheryl Cole:
Anything that's worth havingThe first two lines are acceptable. But the last two, surely, are not. Except in cases of severe duress, which Mrs C is not addressing, quitting can never be out of the question. Sometimes, when it gets tough, quitting is the right thing to do. To think otherwise is to commit the sunk cost fallacy.
Is sure enough worth fighting for
Quitting's out of the question
When it gets tough, gotta fight some more
Her protege Joe McElderry presents a more awkward case:
There's always going to be another mountainThis, I fear, is an example of time inconsistency. At the start of the climb, you might believe you should always keep moving. But what about when you face the third or fourth mountain? Will your preference be to keep moving then? Or will you prefer not to climb at all? If so, your later preferences will be inconsistent with your earlier ones.
I'm always going to want to make it move
Always going to be an uphill battle,
Sometimes you going to have to lose,
Ain't about how fast I get there,
Ain't about what's waiting on the other side
It's the climb
Keep on moving.
It could be that singing about the climb is a rational precommitment strategy; if you publicly say you’ll keep on moving, you’re increasing the costs of subsequently stopping moving by exposing yourself to more embarrassment if you do. But it’s not clear that Joe is doing this.
Now, I don’t want to claim that all of this year’s most popular songs contain howling irrationalities. The mighty Lady Gaga passes muster. But could it be that such irrationalities - as distinct from plain nonsense - are more common now than years ago? If so, isn’t this yet more evidence of the decline of civilization? And what hope is there of people becoming properly educated if they are exposed to such cognitive errors? Will no-one think of the children?
I'm afraid there was no 'Golden Age' of pop songs with rational lyrics. Take the Beatles.
All You Need Is Love contains lines such as: "There's nothing you can do that can't be done/ Nothing you can sing that can't be sung". These, though, are trivial tautologies. If you can sing something, of course it can be sung.
Did they want to say that love gives you the power to make necessary truths still true? Of course not. On the other hand, this does (unwittingly) illustrate a sounder point: that love can make the banal seem profound.
Even so, they should have reworded it thus: "There's nothing that can be done that you can't do/ Nothing that can be sung that you can't sing". I'm sure the Beatles would have been more successful had they followed this advice.
Posted by: Tom Freeman | December 22, 2009 at 09:56 AM
Cheryl Cole surely ought to know that there are loads of things worth having but not worth fighting for - a lollipop being sold in a nightclub toilet, for example.
Posted by: dsquared | December 22, 2009 at 10:06 AM
thinking about it, what about Johnny Cash's "Cocaine Blues"
"Early one morning while making the rounds
I took a shot of cocaine and I shot my woman down
I went back home and I went to bed
I put that little 44 beneath my head"
this man clearly understands nothing about joint consumption functions. While he might have individually increasing utility in the goods of both {committing murder while injecting stimulants} and {a nice snooze}, these are obviously substitutes, not compliments; he would have done much better to have had his nap first, then woken up refreshed and ready for a day's drug-fuelled violence.
Posted by: dsquared | December 22, 2009 at 10:09 AM
It's nothing new - analyse the lyrics of many an opera and you'll find just as many bad examples.
Posted by: Jonathan | December 22, 2009 at 10:35 AM
Further sampling bias occurs in the carol Once in Royal David's City in the lines:
Christian children all must be
Mild, obedient, good as he
where, by using the extreme example of the Word Made Flesh as the template for childhood, the author fails to consider that other children may be incapable of achieving the same standards.
On the other hand, the narrator of the Clash's Should I Stay Or Should I Go is often lambasted for failing to realise that the answer to his dilemma is obvious - he tells us, after all, that if he goes there will be trouble, but if he stays there will be double. However, what he doesn't tell us is how the benefits stack up. It may well be that staying with his girlfriend would, despite her obvious controlling/sadistic tendencies, give him (and her?) more than the twice the pleasure that being alone would offer. Without that information, neither we nor he can make a decision.
Posted by: Andrew Russell | December 22, 2009 at 11:56 AM
I have been a fan of this blog for only a few months. To save me trawling the archives back to this time last year could any long term readers confirm whether this sort of bizarre rambling nonsense is a Festive tradition or not?
Posted by: Paul | December 22, 2009 at 11:59 AM
Lyrics can be modified in the light of events, which is Bayesian, isn't it? A few years ago, the Joker line of Motörhead's Ace Of Spades:
"You know I'm gonna lose,
And gambling's for fools,
But that's the way I like it, baby,
I don't wanna live forever ...
And don't forget the Joker."
Was changed to:
"But apparently I am."
in the light of Lemmy's unexpected survival.
Posted by: (Layman) Mike | December 22, 2009 at 12:07 PM
Oh, and on the Black Eyed Peas: you might be guilty of your own fallacy when you assume that your experience of the probabilities of having a good good night is in any way a model for will.i.an's chances of pulling. I'm prepared to bet that his average night is considerably more successful than any of ours. Whether the fact that we're scribbling nonsense on blogs while he's a multi-platinum rock star is cause or effect is a more difficult question.
Posted by: Andrew Russell | December 22, 2009 at 12:16 PM
Passing the Dutchie on the right side isn't a crippling social solecism, unlike passing the port likewise.
Posted by: Richard J | December 22, 2009 at 02:27 PM
I'm not sure that Lady Gaga is exempt from criticism here. She implies that being caught in a bad romance (ie dysfunctional love affair) is qualification to co-write a bad romance (ie poor quality novel).
I can't think of any examples at all of poor novels being co-written by people in dysfunctional love affairs with each other. Or indeed, of good novels being co-written by such people.
In fact, the closest I can think of is Liz Jones and Nirpal Dhaliwal's assorted columns about their relationship, which I'd hope Gaga would join the rest of the world in wanting to forget and erase from their minds forever...
Posted by: john b | December 22, 2009 at 03:14 PM
@andrew, very good point - it's conventional to model "trouble" as an inverse proxy for "utility" when analysing that song, but you're right that this isn't a valid assumption without further information on the narrator's preferences.
Posted by: john b | December 22, 2009 at 03:15 PM
This is brilliant
Posted by: Carl | December 22, 2009 at 03:47 PM
Regarding Cocaine Blues, it's also true that his legal defence strategy was heavily influenced by the optimism bias.
"Oh yes sir, my name is Willie Lee, if you've got a warrant just read it to me..."
Posted by: Alex | December 22, 2009 at 05:09 PM
Very good!
Posted by: Jako | December 22, 2009 at 07:18 PM
To address the question of whether this is a new phenomenon, I refer my honourable friend to the Christmas number one single of 24 years ago.
Is this the real life?
Is this just fantasy?
Caught in a landslide,
No escape from reality
We begin here with a blatant self-contradiction. If there is no escape from reality then the questions 'is this the real life, is this just fantasy?' has to be redundant.
And don't even get me started on "Scaramouche, Scaramouche, will you do the Fandango"
Posted by: AllyF | December 22, 2009 at 08:28 PM
"To know you is to love you
. . . To love you is to be part of you"
Doesn't the fact she knows him, disqualify the "beautiful stranger" Madonna addresses herself to, from being a stranger?
However, her honesty in admitting to a lack of intelligence is refreshing
("If I'm smart then I'll run away
But I'm not so I guess I'll stay")
which may explain her misapprehension of the word "stranger"
Posted by: John Terry's Mum | December 22, 2009 at 11:52 PM
She could be using 'know' Biblically, which would still leave him a stranger I reckon...
Posted by: john b | December 23, 2009 at 11:30 AM
Impressed but slightly disappointed that Chris resisted the temptation to favour us with a scantily clad pic of Lady Gaga or Cheryl Cole...
Posted by: Roger | December 23, 2009 at 12:28 PM
At last! A thread to dig my nails into the most maddening itch of the year. I speak, of course, of Lady Gaga's line...
"Russian roulette is not the same without a gun."
Of course it bloody isn't; Russian roulette necessitates a gun. Without a gun it wouldn't be Russian roulette...
Pants
Merry Christmas.
Posted by: BenSix | December 23, 2009 at 05:45 PM
This has to be one of the best blog posts I have ever read.
Merry Christmas!
Posted by: Blue Eyes | December 24, 2009 at 02:41 PM
Of Cheryl Cole you accepted her statement that
"Anything that's worth having
Is sure enough worth fighting for"
This surely opens her up to contradiction, what about peace or nonviolence, fighting for those ideals would be indefensible.
I think I shall be applying my knowledge of logic and fallacies to more popular music from now on.
Posted by: Dylan | December 24, 2009 at 06:10 PM
I wonder what cognitive biases there are in Christmas carols. Have a good one, Chris.
Posted by: jameshigham | December 25, 2009 at 09:23 AM
I'm pretty sure you're an idiot.
Posted by: bob | December 28, 2009 at 01:54 AM
At the risk of taking the torch of realism to what is clearly flippancy: there's a little nice lesson to be learned by all of this.
Pop is pure emotion, as divorced from good reasoning as you've just demonstrated.
Clearly, the secret to happiness (or unhappiness, or angst, or paranoia, or pronoia) has been found: choose your cognitive biases well.
Posted by: Nthmost | December 28, 2009 at 11:02 AM
Why will this blog post not be reported in the Daily Fail or something similar, while some academic musing about Thomas the Tank Engine being anti-feminist whose views are equally irrelevant incite rage in half the population?
Posted by: A | December 29, 2009 at 06:49 AM
What bugs me about 'The Climb' isn't the time inconsistency, but the fact that Joe/Miley start out by wanting to move the mountain, but end up climbing the thing.
Also, of course it 'ain't about what's waiting on the other side'. If you wanted to know what's on the other side of a mountain, any sensible person would walk around it, not climb over it.
Posted by: misterfricative | December 29, 2009 at 10:25 AM
Economists would have quite a bit to say about pop music, too. Take marginal utility. Whilst Joe might enjoy climbing his first or second mountain, he may well not enjoy his fourth or fifth.
Similarly, whilst we might have enjoyed the first couple of X Factor-type shows, we are surely by now fairly sick of them.
Posted by: Disco Biscuit | December 29, 2009 at 11:36 AM
All of you are missing the point, Joe is not primarily conncered about what actually is "waiting on the other side" its the climb itself(yeah) that is important not the final outcome.
He presents us with a choice either we climb or we stand still and if we stand still we might find ourselves in a fight with some cloakroom assistant over a lollipop.
Joe clearly mindfull of this encourages us to keep on moving not in terms of "everything is gonna be alright" but admonishing us that "sometimes we're gonna loose".
This is almost prophetic in that he forsees the day when he might loose the Xmas Number 1 to some old men from America who have seen better days.
But of course Joe is not dismayed by this, on the contrary he steadfastly instructs us to "keep the faith keep your faith "( Woah)
Posted by: Elrond | December 29, 2009 at 01:53 PM
"At last! A thread to dig my nails into the most maddening itch of the year. I speak, of course, of Lady Gaga's line..."
Nope. A similar, but far worse example, was Miley Cyrus:
"I've got my sights set on you/and I'm ready to aim."
Once you've got your sights set on someone, then you've already aimed. Retard.
Posted by: Richard | December 29, 2009 at 02:57 PM
"Forget that guff about Rage against the Machine vs. X Factor - truly, a herd of independent minds."
This is undoubtedly true,I was thinking the other day a CD single release of john cages 4'33 beating Joe mc for the christmas no 1 would have been a far more satisfying achievement.
Posted by: Patrick | December 29, 2009 at 05:50 PM
Showing my age, the most annoying lyric in pop history is that bit in Mike Oldfield's "Moonlight Shadow" when Maggie Reilly informs us that it's "4 a.m. in the morning". Of course it is, you halfwit.
Posted by: Nick Brown | December 30, 2009 at 10:43 AM
"Are we human, or are we dancers?"
Brandon et al seem to presume that these two states are mutually exclusive. Although they are from Las Vegas, and I'm sure they'd be prepared to argue the distinction based on a sample of evidence from nights in Sin City.
Posted by: Alan | December 30, 2009 at 01:18 PM
Hmm. How come there is always another mountain for Joe to climb if he is potentially able to make them move? Surely climbing it would prevent him focussing on moving said obstruction. I think he should turn to a life of meditation. Or perhaps write his own songs. Either would be entertaining.
Posted by: Miss Debs | December 30, 2009 at 05:14 PM
Very good indeed sir.
Posted by: The North Briton | December 31, 2009 at 03:10 PM
Great post and comments though 'Nothing you can do that cant be done' is a tautology possibly expressing and exempting people from guilt. I'd also argue that its sublime but I have plain ol' bias with regard to the Beatles.
Posted by: Charles Frith | January 01, 2010 at 04:38 AM
There's nothing that can be done that you can't do/ Nothing that can be sung that you can't sing".
I disagree with this interpretation- it should be more like:
Everything you can achieve as an individual can already( eventually - if you're a pioneer) - be done -
Love is what makes us individual and special man
Posted by: Yoko | January 04, 2010 at 11:50 AM
lighten up guys. and. dont diss our cheryl. you never heard of "fight the good fight"
dalai llama "never give up"
paul cohello "fight the good fight"
geordie spirit will never die"
annie battle is wore ganny
genetic ya see
n lemmy rocks.hes me ole mate.northern trooper.
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Posted by: chi flat iron | January 18, 2010 at 09:57 AM
When thing seems up in the air And everything is so unfair And you stumble and fall Just pick yourself up and sing
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